{"id":781,"date":"2016-06-19T21:42:07","date_gmt":"2016-06-19T21:42:07","guid":{"rendered":"https:\/\/kathleenthompsonwriter.com\/?page_id=781"},"modified":"2023-03-12T22:56:38","modified_gmt":"2023-03-12T22:56:38","slug":"plays","status":"publish","type":"page","link":"https:\/\/kathleenthompsonwriter.com\/?page_id=781","title":{"rendered":"Plays"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Kathleen Thompson&#8217;s Plays<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Kathleen Thompson became involved in the theatre in 1977, when she was assistant director to Mike Nussbaum for the Chicago production of Wendy Wasserstein\u2019s <em>Uncommon Women<\/em> at the St. Nicholas Theater, founded by David Mamet and William H. Macy. Three years later, she founded The Commons Theatre with actors Michael Nowak and Judith Easton. For several years of that theatre\u2019s existence, she was artistic director, one of the first women and one of the first playwrights to serve in that capacity in a Chicago theatre. The mission of the theater was to present original, new and subversively feminist works. An early publicity piece stated, &#8220;Chicago theatre is justly famous for what has been termed &#8216;kitchen sink drama.&#8217; For more than ten years, theatre goers have been exposed to one after another of these highly naturalistic plays about boorish fathers, whining mothers, sniveling daughters and loutish sons. Well, the kitchen sink has its place. It may even have a place in the theatre. But not in our theatre.&#8221;<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#830000\"><span class=\"style6\"><strong>&#8220;Chicago theater lovers can always count on the Commons Theater to present new and different productions.&#8221;<br>Lerner Newspapers <\/strong><\/span><\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">The Commons produced a number of Thompson&#8217;s plays, including the critical and popular triumph <em>Caught in the Act, <\/em>a feminist musical comedy about jewel theives and chorus girls, written with Jan Gleiter, Andra Medea, and composer Barbara Barrow. The show was co-produced by Gleiter.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The long-running comedy hit<em> A Two Story House<\/em>&nbsp; struck a comedy\/drama chord with everyone who ever tried to communicate with a mate. Thompson also coauthored the highly successful film noir homage <em>Dashiell Hamlet: The Classic Mystery<\/em>, with Mike Nussbaum, Mike Nowak, and Paul H. Thompson.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thompson&#8217;s plays have also been produced in New York and elsewhere. After leaving The Commons, Thompson wrote <em>Politics and Old Lace<\/em> for Artistic Circles and had plays produced by Chicago New Plays and others. Thompson and Nowak also taught playwriting at Chicago Dramatists Workshop for ten years.<\/p>\n\n\n\n<h3 class=\"has-text-color wp-block-heading\" style=\"color:#245800\">Plays<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Selected Full-length<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/kathleenthompsonwriter.com\/?page_id=1212\">Caught in the Act<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/kathleenthompsonwriter.com\/?page_id=1182\">A Two Story House<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/kathleenthompsonwriter.com\/?page_id=1230\">Dashiell Hamlet<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sidekicks<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/kathleenthompsonwriter.com\/?page_id=1219\">Could This Be Heaven?<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Selected Short<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Nobody Ever Stands on the Evingston Express<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/kathleenthompsonwriter.com\/?page_id=1168\">I Shall Love You Forever<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/Private\">Private Investigations<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/kathleenthompsonwriter.com\/?page_id=1168\">Kindness<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">For Children and Young Adults<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Atalanta&#8217;s Race<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sunlight on the Road<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kathleen Thompson&#8217;s Plays Kathleen Thompson became involved in the theatre in 1977, when she was assistant director to Mike Nussbaum for the Chicago production of Wendy Wasserstein\u2019s Uncommon Women at the St. Nicholas Theater, founded by David Mamet and William H. Macy. Three years later, she founded The Commons Theatre with actors Michael Nowak and &hellip; <a href=\"https:\/\/kathleenthompsonwriter.com\/?page_id=781\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Plays<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-781","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Plays - Kathleen Thompson<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kathleenthompsonwriter.com\/?page_id=781\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Plays - Kathleen Thompson\" \/>\n<meta property=\"og:description\" content=\"Kathleen Thompson&#8217;s Plays Kathleen Thompson became involved in the theatre in 1977, when she was assistant director to Mike Nussbaum for the Chicago production of Wendy Wasserstein\u2019s Uncommon Women at the St. Nicholas Theater, founded by David Mamet and William H. 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Macy. 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